Winston Smith Ministry of Truth Archive
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How to get to Ilya Ehrenburg Street
I'm indebted to a commentator on
my blog, who taught me that there's an
Ilya Ehrenburg Street
(Ilja-Ehrenburg-Straße) in Rostock,
Northern Germany (map).
One of the roads on the same estate is
called Pablo Picasso Street
(Pablo-Picasso-Straße), after the
"artist", whose sketch of Ehrenburg
appears on his gravestone.
Road signs in Elya Ehrenburg Street are
often subjected to vandalism. The
Rostock Peace Alliance has called for
measures to protect road signs and the
residents(!) of Ilya Ehrenburg Street.
Perhaps they might get some inspiration
from Ehrenburg's writing about what to
do with the vandals:
In his 1943 book The
War Ehrenburg wrote (the
same appeared on a leaflet distributed
to Soviet troops):
The Germans are not human beings.
From now on the word German means to
us the most terrible oath. From now
on the word German strikes us to the
quick. We shall not speak any more.
we shall not get excited. We shall
kill. If you have not killed at
least one German a day, you have
wasted that day. ... If you cannot
kill your German with a bullet, kill
him with your bayonet. If there is
calm on your part f the front, or if
you are waiting for the fighting,
kill a German in the meantime. If
you leave a German alive, the German
will hang a Russian and rape a
Russian woman. If you kill one
German, kill another — there is
nothing more amusing for us than a
heap of German corpses. Do not count
days, do not count versts. Count
only the number of Germans killed by
you. Kill the German — that is your
grandmother's request. Kill the
German — that is your child's
prayer. Kill the German — that is
your motherlands's loud request. Do
not miss. Do not let through. Kill.
Ehrenburg wrote in
an article during the Soviet advance
into Germany:
Germany is a witch ... We are in
Germany. German towns are burning, I
am happy ...
The Germans have no souls ... An
English statesman said that the
Germans were our brethren. No! it is
blasphemy to include the
child-murderers among the family of
nations ...
Not only divisions and armies are
advancing on Berlin. All the
trenches, graves and ravines filled
with the corpses of the innocents
are advancing on Berlin, all the
cabbages of Maidanek and all the
trees of Vitebsk on which the
Germans hanged so many unhappy
people. The boots and shoes and the
babies' slippers of those murdered
and gassed at Maidanek are marching
on Berlin. The dead are knocking on
the doors of the Joachimsthaler
Strasse, of the Kaiserallee, of
Unter den Linden and all the other
cursed streets of that, cursed city.
...
We shall put up gallows in Berlin
... An icy wind is sweeping along
the streets of Berlin. But it is not
the icy wind, it is terror that is
driving the Germans and their
females to the west ... 800 years
ago the Poles and Lithuanians used
to say: "We shall torment them in
heaven as they tormented us on
earth". . . Now our patrols stand
outside the castles of the Teutonic
Knights at Allenstein, Osterode,
Marienburg ...
We shall forget nothing. As we
advance through Pomerania, we have
before our eyes the devastated,
blood-drenched countryside of
Belorussia ...
Some say the Germans from the Rhine
are different from the Germans on
the Oder. I don't know that we
should worry about such fine points.
A German is a German everywhere. The
Germans have been punished, but not
enough. They are still in Berlin.
The Führer is still standing, and
not hanging. The Fritzes are still
running, but not lying dead. Who can
stop us now? General Model? The
Oder? The Volkssturm? No, it's too
late. Germany, you can now whirl
round in circles, and burn, and
Germany, you can now whirl round in
circles, and burn, and howl in your
deathly agony; the hour of revenge
has struck!
After visiting Soviet-occupied East
Prussia, Ehrenburg wrote:
"The Niezschean supermen are
whining. They are a cross between a
jackal and a sheep. They have no
dignity ... A Scottish army
chaplain, a liberated
prisoner-of-war, said to me: 'I know
how the Germans treated their
Russian prisoners in 1941 and 1942.
I can only bow to your generosity
now.'"
An article Ehrenburg published on
October 19, 1944 states:
This young Europe has long known
that the best Germans are dead
Germans ... The problem the Russian
and the Poles were probably trying
to decide was what was best to kill
the Germans with—axes or clubs. They
are not interested in a reforming
the inhabitants ... They are
interested in reducing their
numbers.
On February 23, 1945 Ehrenbugh's wrote in Krasnaya
Zvezda:
Last autumn the Volkssturm was
formed in East Prussia as it was
all over Germany. The Germans
lauded it at length as a
formidable force. Actually, the
Volkssturm is a wretched farce.
They are navvies, not soldiers.
... They are just cannon fodder,
and apparently the sole historic
mission of the Volkssturm, as I
see it, is a humble but worthy
one—to reduce the population of
Germany.
On April 12, 1945 Ehrenbugh's article Khvatit (Enough)
appeared in Krasnaya
Zvezda:
Germany is dying miserably, without
pathos or dignity, ... Let us
remember the pompous parades, the
Sportpalast in Berlin, where Hitler
use to roar that he was going to
conquer the world. Where is he now?
In what hole? He has led Germany to
a precipice, and now he prefers not
to show himself. ... Germany does
not exist; there is only a colossal
gang. ... German women are losing
fur coats and spoons that had been
stolen.
"There was a big slogan
painted up in our
canteen, "Have you
killed a German yet?
Then kill him!" We were
strongly influenced by
Ehrenburg's appeals and
we had a lot to take
revenge for. The hatred
was so great that it was
difficult to control the
soldiers."
— Cypherene with the 1st
Belorussian Front source
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Was Pablo Picasso a Jew? I read something about him being a Jew a few days ago. Can you cite a reliable source about his Jewish origins?
ReplyNo, no I can't. I just thought he was Jewish for some reason. Stupid of me not to have checked before writing it. So I've deleted it now.
Although the comment of 'Anonymous 19 November 2012 04:06' is interesting.
In May 2010 Angela Merkel followed an invitation to Moscow to celebrate the victory over Germany and see the traditional military parade. It is really worth to check out this photo:
Replyhttp://www.bundeskanzlerin.de/Content/DE/Artikel/2010/05/Fotos/moskau-tribuene.jpg;jsessionid=D39D9BDF9544B4DADD691BE336DA9671.s2t1?__blob=poster.
If Helmut Kohl´s ex-wife Hannelore wouldn´t have committed suicide in 2001, Merkel could have asked to join her on her trip to moscow. Mrs. Kohl was several times liberated with the usual procedure by Ehrenburg´s soviet heros. She has been 12 years old.
http://www.dailymail.co.uk/news/article-2005190/Wife-ex-German-chancellor-Helmut-Kohl-raped-age-12-Russian-soldiers.html
Poor woman. I mean Hannelore of course, not Merkel.
And to think, we're "evil" for having sympathy for her, instead of, say, Vera Alexander, who saw Mengele stitch two twins together at Birkenau.
.from the delightful Vera s testimony at the trial Of Eichmann " I was put into the Revier. What my illness was - I don’t know. I was there for some days. Several days later, a nurse took me out of there. I myself did not feel that I had recovered, and I wanted to go back. Towards evening I went in through the cellar, and I saw, all around, women seated against the walls. Amongst them, I recognized several women from my home town. I wanted to speak to them, but the moment I approached them I saw that they were dead. " ...she has been watching too many hammer Horror movies. Rigor mortis would prevent a corpse adopting a sitting position.
A. There was a set of twins, Gypsies, whom he took away one day from the block where I was - that was the Zigeunerlager - the Gypsy camp. Some days later, he returned them, with veins in their arms and their backs sewn together.
Presiding Judge: I did not understand that.
Attorney General: He sewed them.
Presiding Judge: Sewed the veins together?
Witness Alexander: Yes.
mmmmmmmmmm
Vera was shown some cartoons during her testimony, which were supposedly drawn in the 1940s. But clearly the artist had been inspired by something on television in November 1960.
http://winstonsmithministryoftruth.blogspot.co.uk/2012/04/nazis-crimes-inspired-by-1960-event.html
Here once again the link to Merkel-Photo in Moscow. The link above has a dot to much.
Replyhttp://www.bundeskanzlerin.de/Content/DE/Artikel/2010/05/Fotos/moskau-tribuene.jpg;jsessionid=D39D9BDF9544B4DADD691BE336DA9671.s2t1?__blob=poster
Whether Picasso was Jewish is unclear but he certainly was part of the wave of artists who worked in the early part of the 20th century to undermine the traditional art of centuries. He also painted the famed propaganda picture Guernica in 1937. This begs the question, why did the Germans not put an end to Picasso when they had an ideal opportunity to do so?
ReplyPicasso despite having anarchist sympathies and being the painter of Guernica was certainly unmolested during the occupation of Paris between 1940 and 1944. Arno Breker, Hitler's favourite sculptor, denied ever interceding with the Germans on Picasso's behalf, but it seems likely that someone, somewhere, may have been protecting him during the Occupation. Because of Picasso's fame, the authorities may have thought it wise not to make him a martyr. Considering the international embarrassment that Picasso appears to have caused the Germans, if such a decision had been made, it would almost certainly have first been referred back to Hitler.
Picasso's decision to sit out the Occupation despite the evident dangers has never been satisfactorily explained......
Many other artists were happy to lend their services to the Axis war effort; although this has been swept under the carpet. The singer Edith Piaf can be seen giving concerts for axis forces in Paris if one watches Frecnh newsreels of the time. She later invented the story of being in the "French resistance"
Pablo Picasso's life-long art dealer Daniel-Henry Kahnweiler (right), meets Arno Breker's editor Joe F. Bodenstein in Paris. Kahnweiler was a Jew who grew up in Germany. He knew Arno Breker since 1927, and has cooperated with Breker's Jewish art dealer Alfred Flechtheim in Berlin until 1932. In 1970, the newcomer Joe F. Bodenstein continued the tradition of Flechtheim after the "Third Reich." Breker gave Bodenstein the exclusive copyright to represent his works worldwide. The friendly relations between Bodenstein and Kahnweiler continued up to the death of Picasso's art dealer in Paris.
Replyhttp://www.meaus.com/picasso.htm
In Berlin´s Karl-Marx-Allee there is also an espresso bar named "Ehrenburg". In Berlin were estimated at least 100.000 women of all ages raped by Ehrenburg´s heros.
Reply